- Clickbait and The Guilty repurpose the wrongfully accused white man trope, reframing it as central drama in the #MeToo era.
- Both narratives perpetuate rape myths, undermining survivors and normalising disbelief about gender based violence.
- Their plots enact DARVO patterns: deny, attack, and reverse victim and offender, reinforcing myths that excuse perpetrators.
Violence Against Women. 2026 Jul 6:10778012261465666. doi: 10.1177/10778012261465666. Online ahead of print.
ABSTRACT
In 2021, Netflix released Clickbait and The Guilty, which both feature white men who are wrongfully accused of gender-based violence. The character trope of the wrongfully accused man is a staple in popular film and television but takes on a new meaning in the #MeToo era. This article argues that Clickbait‘s and The Guilty‘s use of this trope is created by perpetuating rape myths. Thus, they contribute to rape and domestic violence myth acceptance. Furthermore, it will demonstrate that their overall narratives show striking parallels with what Jennifer J. Freyd coined as DARVO (Deny, Attack, Reverse Victim and Offender).
PMID:42405565 | DOI:10.1177/10778012261465666
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